

Reginald Williams is an attorney-at-law and a Black pioneer in the field of public assembly facility management, where he specialized in stadiums and arenas. He was on the management team that opened The Omni Coliseum in 1972, and from 1987 - 1996 he served as Executive Director of the Atlanta-Fulton County Recreation Authority where he was also the Chief Operating Officer of Atlanta-Fulton County Stadium. From 1999 -2002 he managed the
His career has encompassed the management of facilities that housed the NBA, NFL,
He has worked as a consultant and adviser to Anheuser-Busch St. Louis, where he worked with the Consumer Awareness and Education Department to develop programs that encouraged responsible drinking in sports facilities. He was also a consultant to The UniverSoul Circus,
He is founder of Renaissance Events, Incorporated, where in conjunction with the African-American Philharmonic Orchestra, he produces and promotes the following programs:
My Experiences With The
The African-American Philharmonic Orchestra – Led by Mr. John Peek, the African-American Philharmonic Orchestra features musicians of African-American descent, many of whom are music professors at
The Harlem Renaissance Symposium features an exhibit and discussions on art, poetry, literature, music and politics of the period. The symposium speaks to the early differences between Booker T. Washington and W.E.B. DuBois, and the subsequent differences that DuBois had with Marcus Garvey. It also discusses how these diametric forces were joined in their criticism of President Woodrow Wilson. Other topics covered by the symposium are Jack Johnson’s reign as the World Heavyweight Boxing Champion, the tension created by the return of Black veterans from World War I, and the race riots of the period that personified DuBois’ view on the color line in
A native of
When he entered
He credits his father, Charles M. Williams, Dr. Martin Luther King, Jr., Muhammad Ali and the unnamed heroes of the civil rights movement for shaping his values and life’s decisions.
He met his late wife, Bernice Douglas Williams, at Tuskegee Institute in 1964. To that union were born three daughters. He is the grandfather of three granddaughters and two grandsons.
He is a graduate of the Woodrow Wilson College of Law, and has been a member of the

John T. Peek
Director of the Atlanta
African American Philharmonic Orchestra
The Atlanta African American Philharmonic Orchestra was founded in 1989 by John T. Peek to provide a performance showcase for professional musicians and composers of African American descent in the Atlanta area. The mission of the orchestra is also to involve citizens in music activities as performers and as audience members.
The orchestra is composed of 55 practicing musicians, many of whom are professors at Atlanta institutions such as Clark Atlanta Univeristy, Morehouse College, Spelman College, Morris Brown and Georgia State University. In addition to performing in Atlanta, the orchestra has performed throughout the southeast, including Knoxville, Tennessee; Augusta, Athens and Savannah, Georgia.
Mr. Peek is a native of Atlanta and a graduate of Clark College, now known as Clark Atlanta University. At Clark he studied under the direction of Waymon Carver and Dr. J. Dekoven Killingsworth. He studied trumpet with Max Friedentard, the first chair trumpet with the show "Oklahoma" and studied conducting at the Conductors Institute at the University of South Carolina.
Mr. Peek has the distinction of having performed with many national and international artists including Ray Charles, B.B. King, Arthur Prysock, Ruth Brown, Dinah Washington, Dizzy Gillespie, Natalie Cole, The Temptations and Barry White. He has also had the distinct honor of conducting the Trujillo, Peru Symphony Orchestra while visiting Trujillo, Peru.
Mr. Peek holds professional membership in the Trumpet Guild of America and in The National Black Music Caucus. Additionally, he is a board member of the American Federation of Musicians Union 148-462. He is married to Carrie Whaley-Peek, co-founder of the Music South Corporation, the 5013c nonprofit corporation under which the African American Philharmonic Orchestra operates.